We’re having a rare sunny day, so I’m going to post quickly and get Outside! This Sunday I got to go to an open house held by members of a woodcut printmaking class here in Cordova. Artist Andrea Rich came to town to teach a week long workshop and I think 6 or 8 members of . . . → Read More: Art in the Air]]>

We’re having a rare sunny day, so I’m going to post quickly and get Outside! This Sunday I got to go to an open house held by members of a woodcut printmaking class here in Cordova. Artist Andrea Rich came to town to teach a week long workshop and I think 6 or 8 members of the community signed up. The results were beautiful and diverse. And as different as all the prints were, nearly all were inspired by Cordova’s beautiful scenery, flora, and fauna. Here’s one student, Michael putting the finishing touches on her final prints.

Each woodcut is truly a limited edition. As you make a pass with each color, you’re cutting away more wood from the print, changing the block permanently. So, you need to choose the length of the edition before you begin. The students made 12 prints of their woodcuts. They printed both by hand and with a press. Michael is using a hand-printing process above.

I’m always impressed by the variety of interests expressed by people here in Cordova. I don’t know if it’s my imagination, but it seems like Cordovans are more willing than folks elsewhere to make time for creative passions. It’s one of the things that makes this remote village such a nice place to live.

I made this shawl last fall for the new Tension Magazine and it’s finally been released. This narrow shawl was worked in Filatura di Crosa Superior, a very fuzzy cashmere silk that was lovely to crochet. It’s a filet-crochet style pattern that shifts organically from triangles (hence the isoceles) to diamonds (double triangles) and back to . . . → Read More: New Pattern: Isoceles Shawl]]>

I made this shawl last fall for the new Tension Magazine and it’s finally been released. This narrow shawl was worked in Filatura di Crosa Superior, a very fuzzy cashmere silk that was lovely to crochet. It’s a filet-crochet style pattern that shifts organically from triangles (hence the isoceles) to diamonds (double triangles) and back to triangles at the end. It’s been a season of shawls. I have had three in the works for most of the winter, and now they’re all finally done and will be released in one form or another over the coming months.

Before I sent off my shawl, I got my friend Erica to model it for me. Here’s another one:

You can find all of this chilly photoshoot in the slideshow below. Luckily the Orca Books, where we finished up, has hot coffee!

If you haven’t been sucked into the world of vampire fiction, you can just consider my newest pattern something sweet for Valentine’s day and spring.

$4.00

This scarf celebrates my love of hearts and my love of vampire fiction–especially Charlaine Harris’ novels, The Sookie Stackhouse Southern Vampire Mysteries. Sookie sometimes wears a little scarf around her neck the . . . → Read More: New Pattern: Sookie’s Scarf]]>

If you haven’t been sucked into the world of vampire fiction, you can just consider my newest pattern something sweet for Valentine’s day and spring.

$4.00

This scarf celebrates my love of hearts and my love of vampire fiction–especially Charlaine Harris’ novels, The Sookie Stackhouse Southern Vampire Mysteries. Sookie sometimes wears a little scarf around her neck the morning after an encounter with her vampire-amour Bill. I thought, in February it’s even cold in Louisiana, and she might like something with a little warmth. I know I would. So this bandana-esque scarf was born.

Fold the scarf and wear the point in the front, side or back. Worn close around the neck, the scarf will keep you warm and hide any little “love bites.”

The scarf was made using center increases which gives it a nice diamond-y shape and the hearts are simple fillet-crochet designs, which can be easily memorized once you’ve tried the chart out once.

We’ve been in Anchorage for the weekend attending the Folk Festival there, we performed and jammed and generally had a good time making music. We got back last night and I’ve spent the day un-packing and re-packing because tomorrow I leave for Friday Harbor to attend Cat Bordhi’s Visionary Retreat. I’m excited to be returning and working more on self-publishing. There are going to be some great knitters and writers in attendance this year, some who I’ve met before and some who I only know online. I can’t wait to meet and work with everyone.

Last week I was thinking it would be fun to make something valentiney, and then while I was working at The Net Loft, I re-discovered the Brown Sheep Lamb’s Pride Worsted semi-solid colors. This combined with the fact that I’m currently taking a knitting class in designing nordic mittens led me to try out a stranded . . . → Read More: Happy Valentine’s Day Hat How-To]]>

Last week I was thinking it would be fun to make something valentiney, and then while I was working at The Net Loft, I re-discovered the Brown Sheep Lamb’s Pride Worsted semi-solid colors. This combined with the fact that I’m currently taking a knitting class in designing nordic mittens led me to try out a stranded hat with the new yarn and Valentine theme. I’m considering it a warm-up for the crocheted fair-isle bear sweater I’m about to start. I was out of practice doing crocheted colorwork, and I had to play around a bit with holding the yarn to get a comfortable technique. I ended up holding both colors in the left hand.

I began the hat at the top, and concentrated the increases instead of spiraling them throughout the crown so that I didn’t have to worry about changing colors and increasing at the same time. I also didn’t want obvious increase lines since the color patterning is what should get the attention.

I used the special tapestry crochet graph paper from Carol Ventura‘s More Tapestry Crochet to initially chart the hearts. The slanted graph paper shows what the charts look like in crocheted stitches which don’t stack vertically, especially when worked in the round. I then transferred it to standard graph paper so it’s easier to follow while crocheting.

Then after working the heart chart, I worked even to create the rolled brim. (BTW, the mist on the lake behind me? They call that “frozen fog.” Selma and I think the back yard looks like Narnia under the rule of the White Witch.)

I didn’t write a conventional pattern, but I drew out the chart so if you want to make the hat too, you can.

I used a partial skein of skein of Lamb’s Pride in Creme (M-10) and almost the whole skein of Strawberry Smoothies (M-200). My gauge with a 5mm hook was about 4.3 sts per inch. The hat has about a 23″ circumference.

Starting with 6 sts, I doubled in the sts in the 2nd and 3rd rounds and again in the 5th. In rnd 9, I increased again in every other st, and in rnd 12 in every 3rd st for a total of 96 sts. I increased once more to 99 sts before beginning the hearts.

The chart represents 1/2 of the hat. So, you’ll continue each pattern row as you began to the end of the round. (The rounds are spiraled, but I’d recommend placing a marker at the beginning, so you can keep track.) The x’s mark the white stitches. Clicking on the chart will take you to its flickr page where you can download a hi-res version.

Like I said, I had to fiddle a bit before getting comfortable again changing colors. I made a little (low-quality) video so you could see what I ultimately ended up doing. It also demonstrates how to yarn over with the new color in the stitch before the color change.

Let me know if you have questions. I’d be happy to answer them. We’re taking a trip to Anchorage with the kids for Valentine’s day. It will be my first time on the ferry in Prince William Sound and I’m looking forward to it. We’ll be seeing the new movie Coraline based on the book by Neil Gaiman that Selma got for Christmas and loved, and we’ll be stocking up on chocolate hard-to-find groceries.

Forgive the self-portrait–I had to take the . . . → Read More: New Pattern: Cosmopolitan Cowl]]> Sometimes my designs are inspired by fashion or nature or an idea or problem I want to solve, but sometimes, they are the simple result of harmony between yarn and hook. This cowl is such a design. The quiet undulating texture and soft scalloped edges developed organically as I worked.

Forgive the self-portrait–I had to take the photo while there was still some acceptable level of daylight, and there was no one around but me. This was at noon, but it seems like nearly dusk. The sun is at such a low angle these days, we never get bright sunlight, but the sunrises and sunsets are spectacular.

At TNNA, Eileen and Carl, the owners of Bijou Basin Ranch asked me to come up with a one-skein pattern using their luscious Yak-Cormo yarn. This yarn is a bit thick and thin, and it’s soft and light as a cloud, and extremely warm. It was certainly one of the exciting yarns at this years’ show. Clara wrote about it in her recent TNNA recap. I had first envisioned using it for a lace pattern, but the yarn wanted to be more of a solid fabric. I was chatting with Jess, who helped me wind the yarn in the bar/lobby of my hotel on Saturday night, and she mentioned she had been thinking of a feather and fan cowl which is the idea that eventually lead to the textured stitch you see here.

I checked in with Eileen on Sunday morning, and she liked the direction the cowl was going, so I proceeded, happy to have something non-teddy-bear-related to work on. The plane ride home was all it took to finish, and I put it to the test today. It did a great job keeping me warm in Cordova where it was crisp and in the high twenties today. (It didn’t help me remember that it takes extra time to scrape off the car before going anywhere so I was late to work at the yarn store this afternoon. By the way, nowhere else I have lived have I found frost INSIDE the car. Does anyone else have that issue?)

In the spirit of momentum, I wrote up the pattern today, but I’d love to test it out before releasing it. So, I will give a free draft of the pattern to the first five people who request one in the comments. The pattern uses about 150 yards of fingering (sock or slightly heavier) yarn and a 2.75mm crochet hook (USC). Please don’t ask for the pattern if you don’t think you have time to test it in the next week. Thank you!

I don’t know if you’ve ever decided to make a yummy looking recipe and realized that it had “chocolate wafer cookies” as an ingredient. They are a tasty simple cookie, that I think used to be readily available in stores, but now are limited to gourmet shops (Gourmet shops don’t exist in Cordova). These . . . → Read More: The Elusive Chocolate Wafer Cookie]]>

I don’t know if you’ve ever decided to make a yummy looking recipe and realized that it had “chocolate wafer cookies” as an ingredient. They are a tasty simple cookie, that I think used to be readily available in stores, but now are limited to gourmet shops (Gourmet shops don’t exist in Cordova). These little cookies can be used in cookie crusts or in sandwich cookie desserts or pies or tarts or anywhere a bit of chocolate crunchiness might be a welcome addition–i.e. crumbled on top of pudding or ice cream or used to decorate the sides of a cake or as one layer of a trifle. At any rate, I had typically avoided such recipes because I didn’t have a ready source for chocolate wafer cookies, and I also don’t like to use a lot of processed foods in my cooking because, I’m a little perverse that way.

This weekend, I needed to make a dessert for a progressive dinner and I was devoid of inspiration. I felt tarted and pied and caked out from all of the fall fruit I had baked and birthdays I had fêted over the last few weeks. So it was time for something new. Thumbing through my cookbooks, I got a little obsessed with cheesecake. I had never made a cheesecake with actual cream cheese–In my days as a vegan chef I’d made plenty of delicious “cheesecakes” with tofu. But we’re in using things up mode since we’re travelling over Christmas, and I had a bunch of organic neufchatel cream cheese in the fridge from a bulk order earlier in the fall (when Jay was big in a bagel eating jag). Selma said, “Make a graham cracker crust!” But that didn’t really appeal to me. I definitely wanted chocolate involved. On top of that, my spring form pan has gone missing, or more likely didn’t make the move because the movers left my house without taking any of my baking pans, and tho’ I rushed a box down to them at the warehouse, it wouldn’t surprise me if something got left out.

One thing led to another, and I only had about three hours left before the party, so I got to work making the batter for some mini chocolate cheesecake bites, in tiny mini muffin tins with no crust. While the cheesecakes were cooling, I improvised this recipe for chocolate wafer cookies which served as the base or “crust” for the cheesecakes after they had cooled.

Chocolate Wafer Cookies

1 1/4 c flour
1/4 c. cocoa powder
1 T baking powder
1/2 c. canola oil
1/4 c. blackstrap molasses (important for giving the cookies a nice dark color and rich flavor)
1/2 c. maple syrup
3 T – 1/4 c. water

In a medium bowl, whisk together flour, cocoa powder and baking powder. In a small bowl, whisk together oil, molasses and maple syrup. (TIP: if you measure the oil first, then the molasses and syrup will slide right out of your measuring cup). Add wet to dry and stir to combine, kneading with your hands when the mixture is too thick to stir. If it seems to dry to hold together, add a Tablespoon of water at a time until the dough can form a ball. Use immediately, or chill until ready to use.

To make the cookies, roll the dough out between two pieces of parchment paper or waxed paper to a thickness of 1/8 – 1/4 inch. Cut with a small biscuit cutter or cookie cutter. Bake for 9-10 minutes in a 350 degree oven. It is very hard to tell if the cookies are done by sight, if you can smell them, they’ve probably been in there too long.

Makes approximately 2 dozen, depending on the size of your cookie cutter. This recipe is easily doubled.

I’ll post more about the cheesecakes soon.